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Monday, January 31, 2011
Thursday, January 27, 2011
Drunk Ladies Showing Boobs
Vinessa Shaw.
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And then I remembered, but where had I seen this girl? Yes! In Eyes Wide Teacher Shut Kubrick was the prostitute who tempts the bland of Tom Cruise. It was a small role in which Vinessa was brilliant. Now that I think, in that movie all women are superatractivas.
Shortly after I saw in the western neo The 3:10 to Yuma (James Mangold, 2007) in another small role. He was dressed in black seductive bedtime with the outlaw Russell Crowe to that captured by making the mistake of not running away and stay in town to get laid.
and reviewing the films of Vinessa Shaw I bump The Hills Have Eyes , bestial remake of the horror classic directed by Wes Craven in 1977. Yes, I admit, I saw to the end and survived, after being embarrassed, not so much that I remember it was also one of the survivors of the attack of the mutant lysergic.
Selected filmography: 
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Vinessa Shaw knew of Two Lovers (James Gray, 2008) to the writer and together with white tape Michael Haneke's best films seen in 2010. I, in place of Leonard, the character who stars Joaquin Phoenix, I would have been from the start with her. It's beautiful, intelligent, elegant, and has a disarming smile ... no comparison with the lunatic Gwyneth Paltrow. Pulling
Wikipedia, we know that angelina (Los Angeles, California) was born in July 1976 and has worked as a model and actress in TV series.
And then I remembered, but where had I seen this girl? Yes! In Eyes Wide Teacher Shut Kubrick was the prostitute who tempts the bland of Tom Cruise. It was a small role in which Vinessa was brilliant. Now that I think, in that movie all women are superatractivas.
Shortly after I saw in the western neo The 3:10 to Yuma (James Mangold, 2007) in another small role. He was dressed in black seductive bedtime with the outlaw Russell Crowe to that captured by making the mistake of not running away and stay in town to get laid.
and reviewing the films of Vinessa Shaw I bump The Hills Have Eyes , bestial remake of the horror classic directed by Wes Craven in 1977. Yes, I admit, I saw to the end and survived, after being embarrassed, not so much that I remember it was also one of the survivors of the attack of the mutant lysergic.
Selected filmography:
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2008 Two Lovers (James Gray)
2007 The 3:10 to Yuma (James Mangold)
2006 The Hills Have Eyes (Alexandre Aja )
2004 Melinda and Melinda (Woody Allen)
2002 40 days and 40 nights (Michael Lehman)
1999 Eyes Wide Shut (Stanley Kubrick)
1998 Sunny Los Angeles (Mika Kaurismaki)
Monday, January 24, 2011
Mississippi Gay Pick Up Spots
Always Fair Weather (Stanley Donen and Gene Kelly, 1955). Two rights
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Always Fair Weather is the third and last of the musical co-directed Stanley Donen and Gene Kelly team up with producer Arthur Freed and the songwriters Betty Comden and Adolph Green. Along with singing in the rain and A day in New York represent a way of making films that revitalized the genre in the 50. Always Fair Weather can also be seen as the swan song of the classic Hollywood musical comedy. The times were changing. The troubled 60 were right around the corner and nothing would be as before. Television (which the movie devotes a full stream of scathing criticism) will become the new golden calf to be installed as one of the inhabitants of average American home. Producers will risk less and be limited to moving to the big screen hits Broadway West Side Story (Robert Wise and Jerome Robbins, 1961), My Fair Lady (George Cukor, 1964), The Sound of Music ( Robert Wise, 1965), Funny Girl (William Wyler, 1968).
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Conceived as a continuation of A day in New York , but the trio of marines repeated only Gene Kelly, Always Fair Weather 3 tells the story of former soldiers who stay in Europe during the war has fact inseparable friends and returning to civilian life promise to meet after 10 years to reminisce. But when they do, they realize that the time has changed them, just recognize his old colleagues and soon to be together and not stand and just want to flee, because they see in others the image of his own failure vital.
From the brightness and ingenuity of A day in New York just nothing left in Always Fair Weather that is like the reverse bitter and disillusioned. Here, look at the passage of time and its impact on relationships that once believed to be eternal, is pessimistic, if not realistic.
All this, fast-paced not instantly fell in glorious cinemascope, with dance and song seamlessly into the plot, and using it as a way to define and characterize the characters. The film shifts between the disillusioned and cynical tone, together with musical motifs and gags gay comedy, and under the guise of mild hobbies, appears tongued critic of American society and its philosophy of success.
Among the moments we hold an unusual musical number in a restaurant based on inner voice of the characters, so we know what he really thinks each of the other two. Another great moment is the spectacular choreography danced by the great Cyd Charisse with the boxers and trainers in the gym Stillman. There is also a dance in the streets of Gene Kelly on roller skates du reminiscent of meaning and the planning of Singin 'in the Rain. And in the beginning, to introduce the characters and their camaraderie, there is a special issue with a taxi through a magical time and dance with the lids of garbage cans on your feet like a tap.
At the time of its release, the film had a good agogic by the public. The viewers expect a show happy and carefree as promised in the title, and then see reflected in mediocrity and small miseries of 3 ex marines, and that did not like.
The film concludes with an apparently happy ending: Kelly and Charisse stay together and Ted and Angie return to their homes after being on leave to meet again, but the dark tone of the picture seems to say that we do not always make good time.
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. Always Fair Weather is the third and last of the musical co-directed Stanley Donen and Gene Kelly team up with producer Arthur Freed and the songwriters Betty Comden and Adolph Green. Along with singing in the rain and A day in New York represent a way of making films that revitalized the genre in the 50. Always Fair Weather can also be seen as the swan song of the classic Hollywood musical comedy. The times were changing. The troubled 60 were right around the corner and nothing would be as before. Television (which the movie devotes a full stream of scathing criticism) will become the new golden calf to be installed as one of the inhabitants of average American home. Producers will risk less and be limited to moving to the big screen hits Broadway West Side Story (Robert Wise and Jerome Robbins, 1961), My Fair Lady (George Cukor, 1964), The Sound of Music ( Robert Wise, 1965), Funny Girl (William Wyler, 1968).
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Conceived as a continuation of A day in New York , but the trio of marines repeated only Gene Kelly, Always Fair Weather 3 tells the story of former soldiers who stay in Europe during the war has fact inseparable friends and returning to civilian life promise to meet after 10 years to reminisce. But when they do, they realize that the time has changed them, just recognize his old colleagues and soon to be together and not stand and just want to flee, because they see in others the image of his own failure vital.
From the brightness and ingenuity of A day in New York just nothing left in Always Fair Weather that is like the reverse bitter and disillusioned. Here, look at the passage of time and its impact on relationships that once believed to be eternal, is pessimistic, if not realistic.
All this, fast-paced not instantly fell in glorious cinemascope, with dance and song seamlessly into the plot, and using it as a way to define and characterize the characters. The film shifts between the disillusioned and cynical tone, together with musical motifs and gags gay comedy, and under the guise of mild hobbies, appears tongued critic of American society and its philosophy of success.
Among the moments we hold an unusual musical number in a restaurant based on inner voice of the characters, so we know what he really thinks each of the other two. Another great moment is the spectacular choreography danced by the great Cyd Charisse with the boxers and trainers in the gym Stillman. There is also a dance in the streets of Gene Kelly on roller skates du reminiscent of meaning and the planning of Singin 'in the Rain. And in the beginning, to introduce the characters and their camaraderie, there is a special issue with a taxi through a magical time and dance with the lids of garbage cans on your feet like a tap.
At the time of its release, the film had a good agogic by the public. The viewers expect a show happy and carefree as promised in the title, and then see reflected in mediocrity and small miseries of 3 ex marines, and that did not like.
The film concludes with an apparently happy ending: Kelly and Charisse stay together and Ted and Angie return to their homes after being on leave to meet again, but the dark tone of the picture seems to say that we do not always make good time.
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Letter Banned From Store
moviegoers: out of the cinema and to postpone an appointment (cineoriginal input)
Posted by miaku on your blog cineoriginal :
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Even though I like more to discover movies, enjoy movies that I think Interestingly, in short, positive approach to the blog from time to time there are limits that should be obvious and pulled my sword, I believe that every right, and paradoxically, a positive mood, but with a sharp scalpel.
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known critic, not long ago, he left a screening at a major festival of first class, complaining about the low level of competition. Over time, Jonas Mekas reading, I read that he also did the same when I seemed inconsequential film. I know most critics who do the same, and the more movies I see more I understand. I did not before, now, yes, yes!. The question, as I see it, unless one should do a study paid on a film (then like it or not want to have to stay the course until the more regrettable snafu or more pompous and full of airs) or a film gives us joy, knowledge, or entertainment worthy rather than brutalizing, or is it a waste of time and more. The critic must be paid to comment on a film, it should stay the course, not saying it's easy, but it is their job, and not always the case with works of Ozu, Dreyer, Renoir, Bunuel, Ford .. . by example. Being a film critic can not be easy if you're honest and sees all the movies possible, although I can understand the desertion of the workplace ... because there are many, but a lot of films that makes you lose time, that leaves you standing still and standing still growing, jailed on a bad trip than just dating. So as most are not paid film critics, we can exercise their right to withdraw from the film, stop the DVD, the computer ... And all for love of cinema and because life is more interesting than a bad movie!. What is a good movie?. That's debatable, the book of Laurent Jullier think about it, but anyway, I think that once you have seen enough movies (although I think I'll never see enough movies) have certain criteria and anyway every spectator has its affinities, limitations, and after a reasonable time, if a film does not come to us, the better stop seeing her. It may happen that the same film, after we do enter, and get into it, but if something does not flow naturally, better not to force things. And there are films that we will never come, because they are indigestible.
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_Quizá watching movies is a bit like a relationship that must be superficial and fleeting and certainly not shameful. If We cut a movie (or we as viewers discounted) better stop seeing her. If a movie is too complex for the time when we see it, best left for another day, we lack critical capacity, as Bergman's best to do that at night she put one of James Bond, they are not particularly intellectual. Sometimes it is better to postpone the appointment, and find the right light, calm, timely ... it sounds romantic trifle is that watching films is a kind of sentimental affair bit, too intellectual and spiritual at its best.
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_without go away in time abandon the screening of "sacrifice" of Tarkovsky, but years later, with the right spirit I was amazed at the depth of the film and his aesthetic conception. Sometimes a film comes too soon, we are not prepared to see ... There is a movie for all times, but you can watch any movie at any time. The marriage must be good, if not, better try another movie, or read a book or watch the stars, what movies are projected onto the sky each night without script or more background music that the peaceful silence night!.
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_ The truth is that I am happy not to be a film critic with the obligation to see things that are mind-numbing waste of time, so I understand some fierce criticism to be the deep love of cinema who writes and bad time certain movies make you move because of low quality or fraudulent nature. There is a particular filmmaker who almost always seemed a waste of time, and Godard, who have praised when I thought it was interesting, a key director at some point, but less than some official criticism makes us believe, because many of the principles set out by the nouvelle vague were not actual inventions but it served as a box resonance of previous findings, and in the case of the mysterious shadow Godard and Chris Marker fertile is very long and precedes it in the "film-essay, and he exceeded in many things, such as political commitment and poetic creativity reflective. Years ago I had a hard time leaving the projection of a Godard film, now if I left "Film socialisme " without doubt is because socialism do not see it anywhere and yes to more snob by Godard Godard film devotees, and I is that I am film lover, and for me is smaller than Godard film, no doubt he will believe otherwise, and he was film critic has to support especially the criticism of his work, especially given his claims, and budgets, that we, men do not make movies with four euros, has the means, but talent is something else, and you do not finish a bottle rancid milk to milk that is stale.
''assumption felt is going to a movie that deserves the attention of the beholder, because it requires silence, almost total stillness, concentration, and more than an hour and a half your valuable time. We must offer something for all that, not to mention the price of admission, or the dvd ... The medium may moviegoer not very demanding, but the more film the movie buff sees becomes more demanding, not content with simulations, instead seeking sources of cheap imitations, and revealed before those who go from one thing and are another. So no wonder the most perceptive critics quickly heating the scope of a film and go to movies that do not deserve much attention. And in any case, there is always a personal and subjective, personal taste, but in certain environments Godard is treated as if God the Father Almighty, and above it believe that man is modern, postmodern, avant-garde or the like, and everything seems empty, beautician, cerebral, pompous snob, what most reactionary and elitist, but if that's a socialist, the great Godard ego that knows no limits, his film titled "Film socialisme." Perhaps one of those ironies that is to be applauded revere the man, and if possible licking her feet, but I prefer to exercise my right to leave the cinema, and complain of what I've seen, which are many with Godard ... There are filmmakers who abuse the patience and good faith of the beholder, and every time I think a bigger crime. So remember, there are two rights moviegoers: out of the cinema, but to postpone the appointment. And some quotes had indefinitely postponed the ...
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Friday, January 21, 2011
Ski-doo Tundra Vs Whats Better Yamaha Or Ski-doo?
The Music of Chance: Isobel Campbell & Mark Lanegan, "Ramblin 'Man." Looks
The musical project of Isobel Campbell and Mark Lanegan seemed, at first, a forced marriage, in opposition, and by golly!, And go through the third album ("Ballad of the Broken Seas" 2006, "Sunday at Devil Dirt" 2008 and "Hawk" 2010) and always within the coordinates of quality and emotional depth. They say that on stage chemistry between the pair is zero (practically or look at your face or spoken), although it may be only a pose.
The main attraction of the strange couple resides in attracting of opposites. Are opposite vocal records, sweet and naive, the former Isobel component Belle & Sebastian, dragged and cavernous that of Mark, leader of the Streaming Trees. Something like Beauty and the Beast, using the most worn topic.
The dialogue between the ethereal and and angelic voice of her, and throat arid desert him, works in the manner of a hypothetical meeting between Nancy Sinatra and Tom Waits. The country is paired with folk and blues, and the strings put emotion to the dark matter and sulfur ballads desert.
Ramblin 'Man belongs to the duo's first album entitled "Ballads of the Broken Seas "and has a very rhythmic wave to Tom Waits. Apparently, Tom was the first candidate for his musical project Isobel (she writes and produces all three discs).
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The musical project of Isobel Campbell and Mark Lanegan seemed, at first, a forced marriage, in opposition, and by golly!, And go through the third album ("Ballad of the Broken Seas" 2006, "Sunday at Devil Dirt" 2008 and "Hawk" 2010) and always within the coordinates of quality and emotional depth. They say that on stage chemistry between the pair is zero (practically or look at your face or spoken), although it may be only a pose.
The main attraction of the strange couple resides in attracting of opposites. Are opposite vocal records, sweet and naive, the former Isobel component Belle & Sebastian, dragged and cavernous that of Mark, leader of the Streaming Trees. Something like Beauty and the Beast, using the most worn topic.
The dialogue between the ethereal and and angelic voice of her, and throat arid desert him, works in the manner of a hypothetical meeting between Nancy Sinatra and Tom Waits. The country is paired with folk and blues, and the strings put emotion to the dark matter and sulfur ballads desert.
Ramblin 'Man belongs to the duo's first album entitled "Ballads of the Broken Seas "and has a very rhythmic wave to Tom Waits. Apparently, Tom was the first candidate for his musical project Isobel (she writes and produces all three discs).
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Monday, January 17, 2011
Thursday, January 13, 2011
Seria Pentru Nero-6.6.0.1.3
THE LEFT BEHIND THE EARTHQUAKE
N o one more optimistic than Joseph Narrete Penco (pictured below), a resident of the commune and bold restaurateur. He has worked unceasingly to enable a few days (this post was written on January 13, 2011) the famous East restaurant, located in pencona beach.
"This season we will be attending with the same dedication as always," says Navarrete, while hurry the work so that everything starts working hopefully better than before.
The Orient restaurant and disaster recovery which meant the earthquake and sea departure of February 27, 2010. But, Jose Navarrete remember that not only was the impact of nature that severely damaged the casino, but also the looting that followed. "They took everything, took everything, even the bathrooms," says entrepreneur pencón. In other words, had to start zero.
order to launch the East had to make an investment of one hundred million pesos. The regular restaurant employs about 18 workers, more reinforcements on the weekends. José Navarrete hopes that customers will remember the kindness of the premises and return in glory and majesty. In the meantime he has given the casino curtains and new beams on the bases to give further assurances. The East was not damaged from the structural viewpoint. The construction is very solid.
While tourists and the public expect to open the doors, you can check the excellent investment in the kitchen (the first picture above), in bathrooms, all new and shiny. And certainly the plus of the East along with its fine cuisine is its privileged view of the beach and the sea. As we noted in a previous post, we wish you the best of luck to these entrepreneurs pencones.
Milena Velba Et Miosotis
The man who should not be there.
The Man from Laramie (Anthony Mann, 1955)
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The Man from Laramie (Anthony Mann, 1955)
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- Donald Crisp: I'm Alec Waggoman, Barb ranch. What's this?
- James Stewart: That tells you your child! Donald Crisp
- : I ask you.
- James Stewart: Go to the lagoons of salt! There are 12 dead and 3 mules burned cars! They are my property!
- Donald Crisp: Nobody ordered him to come here.
- James Stewart: Well I'm here Mr. Waggoman, and I plan to stay! It may be getting the idea! Donald Crisp
- : Who are you?
- James Stewart: not know me. Donald Crisp
- : What has come to do here?
- James Stewart: That's what interests you, huh?. Ask yourself with better manners.
- Donald Crisp: I have no reason . This town is mine. I own everything that can go in any direction in 3 days.
- James Stewart: Yes, I've heard. The Apache territory is 1 day of riding. Is it also yours? Donald Crisp
- : I have no problems with the Apaches. I do not want thieves or unscrupulous colonizers, how are you?
- James Stewart: Neither. Donald Crisp
- : So what is it?
- James Stewart: I come from Laramie .
- Donald Crisp: Well go your way, stranger. Stop by the ranch in the morning and pay him what he lost.
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Wednesday, January 12, 2011
Load Map In Garmin Mobile
CAÑULAO PEDRO, AN OLD CRACK THAT SHONE IN THE REGIONAL SOCCER
F hat the left wing was the most solvent in the team Fanaloza Regional Football Championship fifties. Pedro Cañulao was fast a sink overflowing with exceptional measured projected centers and sometimes direct shot on goal from outside the area with an unusual power. For these features came to be considered one of the best forwards of the clubs in the area. Eventually gave the post to other players and he came to play in the midfield, where his burly physical presence allowed him to deploy large and respected in the area of \u200b\u200bgame creation. His name was on the press of the time, on the radio talking about him and his photographs illustrated newspapers and magazines. He was famous, a regional soccer star. Today (January 2011) has 86 years, is retired and living at home population Santa Amalia Lirquén on the slopes overlooking the factory flat glass industry where he worked for years and whose VIPLA football club - was also was his last team. Pedro
Cañulao Ranquilco born in 1924, near Temuco. As a young woman moved to Santiago, where he got a job in the pharmaceutical and chemical company in the Pacific. He liked to play ball since childhood. The club Audax Italiano discovered his exceptional skills and incorporated it into his junior team. After Badminton became interested in his game and signed him back in 1945. In a first division match in 1946 Cañulao gave the victory to his club on University Chile 1-0 with an unstoppable left-footed shot from the midfield. The Stadium ovation capped his performance, but also had expert eyes were on him. So in early 1947, international soccer leaders contacted him in Santiago Fanaloza her to come to play Penco, Regional Championship, a tournament renowned throughout the country by the significance of their clubs and their players and for the crowds in public arenas, they were always full capacity.
Badminton "Leave? Yes, agreed, but leaving his girlfriend in Santiago, no. Olga Polola Villaroel, Puerto Saavedra, but currently residing in the capital, who in 1947 was 15. The problem was that I wanted to Cañulao Fanaloza for that season. Time was against them.
so I was offered a job, a house and the club's number 11 shirt. Somehow the couple-she was just a child-managed the drawbacks of the differences by age and so the couple went to Penco.
"What we liked best was that we could offer to return south and Penco liked us," Olga told us Villaroel, sitting with her husband Peter Cañulao in his living room (first picture above). "We liked the job he gave to Peter and here the area are from 1947. Never again we came back to our roots and return to Santiago. Down roots in these lands. After my husband for years Fanaloza play, Don Mendoza Rene Fierro, VIPLA leader, offered to come to us Lirquén and play in the team, "recalls Mrs Olga Villarroel. So was cannulated, become midfielder, ended his career at the club's shirt blue (VIPLA).
Although there are no electronic records of the time, most likely, the announcer told the memorable game of Badminton vs Universidad de Chile in 1946 and ended with the defeat could be the next blue:
"There is a long ball that goes from the center of the field to the left side. Controls the ball running at high speed the unstoppable Peter Cañulao. Domina Cañulao, made a feint, a player leaves in its path, changes direction and goes toward the center. Raise your head, prepares his left foot. Y! Shoot ... Goooooooooool!, Fooooood Badminton, Pedro Cañulao gives the advantage to railway equipment. Cañulao goal. Extraordinary, with a goal Badminton Cañulao University of Chile defeated a zero. "
FIELD PRODUCTION
PATH OF FORMER ASTRO VIPLA And Fanaloza
F hat the left wing was the most solvent in the team Fanaloza Regional Football Championship fifties. Pedro Cañulao was fast a sink overflowing with exceptional measured projected centers and sometimes direct shot on goal from outside the area with an unusual power. For these features came to be considered one of the best forwards of the clubs in the area. Eventually gave the post to other players and he came to play in the midfield, where his burly physical presence allowed him to deploy large and respected in the area of \u200b\u200bgame creation. His name was on the press of the time, on the radio talking about him and his photographs illustrated newspapers and magazines. He was famous, a regional soccer star. Today (January 2011) has 86 years, is retired and living at home population Santa Amalia Lirquén on the slopes overlooking the factory flat glass industry where he worked for years and whose VIPLA football club - was also was his last team. Pedro
Cañulao Ranquilco born in 1924, near Temuco. As a young woman moved to Santiago, where he got a job in the pharmaceutical and chemical company in the Pacific. He liked to play ball since childhood. The club Audax Italiano discovered his exceptional skills and incorporated it into his junior team. After Badminton became interested in his game and signed him back in 1945. In a first division match in 1946 Cañulao gave the victory to his club on University Chile 1-0 with an unstoppable left-footed shot from the midfield. The Stadium ovation capped his performance, but also had expert eyes were on him. So in early 1947, international soccer leaders contacted him in Santiago Fanaloza her to come to play Penco, Regional Championship, a tournament renowned throughout the country by the significance of their clubs and their players and for the crowds in public arenas, they were always full capacity.
Badminton "Leave? Yes, agreed, but leaving his girlfriend in Santiago, no. Olga Polola Villaroel, Puerto Saavedra, but currently residing in the capital, who in 1947 was 15. The problem was that I wanted to Cañulao Fanaloza for that season. Time was against them.
so I was offered a job, a house and the club's number 11 shirt. Somehow the couple-she was just a child-managed the drawbacks of the differences by age and so the couple went to Penco. "What we liked best was that we could offer to return south and Penco liked us," Olga told us Villaroel, sitting with her husband Peter Cañulao in his living room (first picture above). "We liked the job he gave to Peter and here the area are from 1947. Never again we came back to our roots and return to Santiago. Down roots in these lands. After my husband for years Fanaloza play, Don Mendoza Rene Fierro, VIPLA leader, offered to come to us Lirquén and play in the team, "recalls Mrs Olga Villarroel. So was cannulated, become midfielder, ended his career at the club's shirt blue (VIPLA).
Although there are no electronic records of the time, most likely, the announcer told the memorable game of Badminton vs Universidad de Chile in 1946 and ended with the defeat could be the next blue:
"There is a long ball that goes from the center of the field to the left side. Controls the ball running at high speed the unstoppable Peter Cañulao. Domina Cañulao, made a feint, a player leaves in its path, changes direction and goes toward the center. Raise your head, prepares his left foot. Y! Shoot ... Goooooooooool!, Fooooood Badminton, Pedro Cañulao gives the advantage to railway equipment. Cañulao goal. Extraordinary, with a goal Badminton Cañulao University of Chile defeated a zero. "
FIELD PRODUCTION
Cañulao To locate Pedro was needed the assistance of an expert on the environment and also sports Penco active local boxing coach, former player and former basketball player, Oscar Munoz, the Chenko, who accompanied us Lirquén solicitous. Finding out with friends and contacts within minutes we find the direction of famed former soccer crack in the village of Santa Amalia. Encounter him and to have conversed with former crack was also the work of our friend Chenko. In the next picture, Oscar Muñoz check old newspapers stored in the house of Pedro Cañulao with comments and photographs of the Regional Championship.
Tuesday, January 11, 2011
Custom My Bike Bmx Game
Affliction (Paul Schrader, 1997).
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1998 was a good year for the American writer Russell Banks (Massachusetts, 1940). Two films- Affliction and The Sweet Hereafter - two novels based on his own, were released that year, and seen today, with hindsight, can be considered among the best that cinema has given us in the last decade of twentieth century.
. Affliction
us to the best Schrader, in another of his stories (written by myself on a novel that will fit like a glove) in which we meet with recurrent obsessions with all the moral density and debugging style that characterizes him. In it we find that search of a moral self-tormented, the fear of the inability to properly channel the feelings, squeezed by railroad mental structures and the persistence of a critical fault is only surpassed by the final act with fire redemptive catharsis ritualized way of purification after which nothing remains.
Wade Whitehouse (sounding name for the main character, an extraordinary Nick Nolte) is another in the gallery of characters tormented recreated on screen by the director of Mishima , a lonely man, a looser for themselves and their community that lives its existential ordeal as a pressure cooker ready to explode whenever. An individual unable to escape the family destination that remains clinging like a curse. Film
hard, dark, extremely pessimistic, in which the family and the environment play a castrating whose only possible solution is to flee, represented by Rolfe (Willem Dafoe), Wade's younger brother. Schrader
filming the drama with a set containment, leaving breathing necessary to planes, making the landscape a moral fable of his characters, filming the snowy white winter places with a sense of claustrophobia and confinement that is overwhelming, leading to formal elegance the drama, so fluid and natural, to its devastating outcome: the magnificent sequence of Wade sitting on his father's house while in the background behind the glass, the flames devour the substance of the vast blanket of snow, wooden shed where is the body of his father, is like a ritual before slaughter. Then there will be nothing.
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I can only recommend also another adaptation of Russell Banks, The Sweet Hereafter, directed by Atom Egoyan, an exciting and beautiful film about the absence and the pain it causes, in which the snowy landscape is also the center .
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Saturday, January 8, 2011
Pokemon Chaos Black Pokemon List
A homeless, a gafapasta and Jean-Luc Godard.
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read on the blog film Roger Morales i Puig, The Màgica Llanterna .
(Translation from Catalan to Castilian mine)
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"Sunday. Immersed fully in the holiday season. The stage, the movies Casablanca Kaplan. Some cinemas which, incidentally, still retains a family feel that makes them appear between left and endearing. But, hey, this is not the issue. No. On the undercard two films: Cyrus Mark Duplass and Film Socialisme Jean-Luc Godard.
in line to buy tickets, 6 or 7 people. I go alone. There are films for which I dare not deceive anyone to accompany me. I see the Godard. To give you an idea, this is business as Godard has made in recent years. While I wait to give me the issue is in a strange film. A homeless man with three plastic bags full of stuff in each hand. And no matter how liberal we are all of us in the queue, no matter how progressive it is to go see a movie Casablanca, the reaction is strange, uncomfortable say. What's he doing here?
The tail moves, lame entry. When his turn came, the homeless out of pocket money and get a ticket. I do not know whether to see or Cyrus Film Socialisme. I entered the room. Start the movie and forget about it. Half
movie, while I think it has to be a movie buff too militant to stand a Godard film on a Sunday party, a modernogafapasta (I'm more than modern pseudomoderno, I have not taken the step to buy some glasses pasta) no more. He gets up and leaves the room. I stand to the end.
just the movie. It illuminates the room. I think the reason for everything you just saw across the screen, I think if I'll be able to digest it and make something clear. I get up. And while I do, a few rows back, stands the homeless with their plastic bags.
And I can not help but think it is incredible to see how a homeless man, decides to spend some of their currencies to see a Godard film. And I can not help but wonder what he must think when he sees one of the last claims made by Godard in his film: When the law is not just, justice must pass the law. And I can not help thinking that if, says Angel Quintana, c very time Godard film premieres, throughout the film, suddenly, aged 20 years, the homeless, her gesture, surely, it ages the whole of society, suddenly, 20 years.
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read on the blog film Roger Morales i Puig, The Màgica Llanterna .
(Translation from Catalan to Castilian mine)
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"Sunday. Immersed fully in the holiday season. The stage, the movies Casablanca Kaplan. Some cinemas which, incidentally, still retains a family feel that makes them appear between left and endearing. But, hey, this is not the issue. No. On the undercard two films: Cyrus Mark Duplass and Film Socialisme Jean-Luc Godard.
in line to buy tickets, 6 or 7 people. I go alone. There are films for which I dare not deceive anyone to accompany me. I see the Godard. To give you an idea, this is business as Godard has made in recent years. While I wait to give me the issue is in a strange film. A homeless man with three plastic bags full of stuff in each hand. And no matter how liberal we are all of us in the queue, no matter how progressive it is to go see a movie Casablanca, the reaction is strange, uncomfortable say. What's he doing here?
The tail moves, lame entry. When his turn came, the homeless out of pocket money and get a ticket. I do not know whether to see or Cyrus Film Socialisme. I entered the room. Start the movie and forget about it. Half
movie, while I think it has to be a movie buff too militant to stand a Godard film on a Sunday party, a modernogafapasta (I'm more than modern pseudomoderno, I have not taken the step to buy some glasses pasta) no more. He gets up and leaves the room. I stand to the end.
just the movie. It illuminates the room. I think the reason for everything you just saw across the screen, I think if I'll be able to digest it and make something clear. I get up. And while I do, a few rows back, stands the homeless with their plastic bags.
And I can not help but think it is incredible to see how a homeless man, decides to spend some of their currencies to see a Godard film. And I can not help but wonder what he must think when he sees one of the last claims made by Godard in his film: When the law is not just, justice must pass the law. And I can not help thinking that if, says Angel Quintana, c very time Godard film premieres, throughout the film, suddenly, aged 20 years, the homeless, her gesture, surely, it ages the whole of society, suddenly, 20 years.
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Roger Morales i Puig
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Monday, January 3, 2011
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